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The series was notable as Blind Date was one of. Stine, Diane Hoh, Richie Tankersley Cusick, Christopher Pike, and Caroline B. Authors who published under the label of Point Horror include R.L. The Point Horror series was launched in by Scholastic Inc, with the publisher re-releasing several of its previous titles under the Point Horror banner. Cave (Introduction)īooks Best Sellers & more Top New Releases Deals in Books School Books Textbooks Books Outlet Children's Books Calendars & Diaries Audible Audiobooks The Doll-Master and Other Tales of Horror and over 8 million other books Reviews: History. Like the characters in her story, I stared into “the funhole” and have been forever changed, and for that I’m forever grateful.The Vampire Master and Others Tales of Horror by Edmond Hamilton They’re lessons I will continue to study and try to refine. I know that Kathe Koja didn’t write The Cipher in order to teach writing lessons but those lessons are in there. The effect is cumulative and if you wield this skill with the tact and restraint of an author like Kathe, the reader won’t taste the arsenic in their soup. Every scene is another small dose your body can’t flush out. What I do know is this: it’s a gradual process, like heavy metal poisoning. You’re casting your spell on the reader and only readers can confirm the effect. I think I understand some of what’s happening but it’s hard to tell from an author’s point of view.
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So, have I cracked the code? Partially…maybe.
THE CIPHER KATHE KOJA EBAY HOW TO
I had to learn what that tool was and how to wield it.īefore reading The Cipher, I didn’t know I wanted that power but from that moment on, I’ve been trying to learn that new magic. She was using those runes to control my body. This is magic in and of itself but what Kathe Koja was doing was different. You paint pictures in someone’s head using just a few symbols on paper. How could she be doing this to me? Writing is mind control. It left me feeling awful but I needed more. I wasn’t living their lives but I was physically living their emotions. As their fear and anxiety grew, my own chest tightened. As the characters grew weaker, so too did I. Page after page my muscles felt like they were fighting gravity just a little more. It was the same feeling you get when you know a situation is about to get out of hand. As the story unfolded I felt myself starting to change from within. This was their world and these were their lives before they ever discovered the “funhole.” Afterward, things begin to turn downright gangrenous. Some wave a torch at the dampness to ward it off, others scrape off the mold only when it gets too unbearable. Each character fights the rot in their own way and at their own level of intensity. Giving in to the rot means being swallowed and digested by it. But these characters are alive and like all living things, the rot must be dealt with. Its main characters rot inside of their rotting apartment built in a rotting world. Somehow, this nothing can do a whole lot of something and that something isn’t good. Those who stare into its nothingness grow to need more of it. They call it “the funhole” and as anyone would be wont to do, they start putting things inside. The basic premise is this: two friends/lovers/enemies Nicholas and Nakota, find an other-worldly dark void in the broom closet of Nicholas’ apartment building. I have always been fascinated by how much beauty can be found in beastly art if only you look hard enough and The Cipher is a stomach turning stunner. I’m going to work very hard not to spoil this incredible work of body horror because I think everyone who can stomach it should read it. Those writers who, through their stories, teach us what’s possible for our own craft. I had to know how her dark, twisted story had twisted me right along with those living within its pages. What just happened? How on earth did they do that? Can I do it too? When I first read The Cipher by Kathe Koja, I was awed at how deeply the story affected me. As a reader this experience is exhilarating but as a writer it’s also a challenge. They force you to fly high with a character’s laughter or to grip their hand as anxiety takes you both. These books don’t just tell you how it feels to live the character’s life, they don’t just show you and rely on your empathy, they make you feel it for yourself. Books that spread throughout your systems, sometimes as an energy that lifts and warms and sometimes as a shadow that squeezes and aches, and drinks from your soul. Books that burrow deeper with each passing sentence. Then there are the books that crawl inside of you.
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Good books let us immerse ourselves in their worlds and great books pull us in.